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Pop Goes the Dog
A Celebration of the Pooch in Popular Music
Martha and McCartney

Musicians and dogs are a lot alike. Both operate on instinct and feeling. Both have finely tuned ears that can pick up good and bad vibrations. And both make the world a better place by helping others feel a little less lonely.

With that in mind, it makes perfect sense that there’d be mutual appreciation of the musical kind. While dogs compose their own spontaneous tunes—“I Haven’t Seen You in Forever!” and “Scratch My Chin Again” are two favorites—musicians have been a little more considered in their creations over the years.

The story of dogs in popular music began in 1853, when American songwriter Stephen Foster was given a beautiful English Setter, whom he named Tray. Foster so loved his pal that he wrote “Old Dog Tray,” a sentimental ode that became the blueprint for bow-wow ballads from then on.

In the early 20th century, dogs were roving through Tin Pan Alley in hits such as “Where, Oh Where Has My Little Dog Gone?” and “Fido Is a Hot Dog Now,” a 1914 song about a naughty pooch who ends up in Hell.
 
But the modern era of pup pop didn’t begin until the mid-’50s when Patti Page wondered about the price of the doggie in the window and Elvis Presley complained about a hound dog on a cryin’ jag. Since then, artists from the Beatles to Neil Young to Red Hot Chili Peppers have done the dog. To celebrate this genre, here are the stories behind ten purebred faves.

Shannon
Composed by Henry Gross
Performed by Henry Gross
Released 1976 (#6 US)
“Having an Irish Setter is like marrying a Victoria’s Secret model,” laughs Henry Gross. “It’s going to be rough from day one, because she knows she’s gorgeous.”
 
Shannon came into Gross’s life via his marriage in the mid-’70s, about the same time he was opening tours for the Beach Boys. Gross and Carl Wilson bonded over Irish Setters, as Wilson’s had recently been killed by a car.
Back home in New York, with Shannon nearby, Gross thought about Carl “and the song just kind of wrote itself.”
“I knew the second I wrote it there was something special about it,” he says.
 
To this day, Gross still gets letters from fans who find solace in the tender-hearted song. “Whenever somebody loses a dog, they hit henrygross.com,” he says. “I just e-mailed a guy who lost a dog—and this may sound corny, but I said, ‘Whenever a great dog dies, I see it as an opportunity to save another poor dog, to share your love with a soul nobody wants.”

Hound Dog
Composed by Jerry Leiber & Mike Stoller
Performed by Elvis Presley
Released 1956 (#1 US)

“We wanted to write something really raunchy,” says Jerry Leiber of the song that became Elvis’s most successful single. In its original incarnation, Leiber says, the song was “about a woman kicking a moocher out of her house. He wasn’t literally a hound dog and he didn’t chase rabbits.” A few years after Big Mama Thornton’s original recording, Vegas lounge act Freddie Bell & The Bellboys did a comedic version of the song. They changed the mooch to a pooch. Elvis loved this version and basically copied it. Leiber says, “The lyric change bothered me, and I wasn’t crazy about Elvis’s version at first. But a couple of years later, it kind of grew on me.”

On June 5, 1956, Elvis caused a national sensation with the hip-shakin’ rendition of “Hound Dog” on The Milton Berle Show. A month later, a supposedly contrite Presley did the song on The Steve Allen Show. Dressed in a tuxedo, with instructions to curb his pelvic movements, he sang to a Basset Hound outfitted in a top hat. “That was Steve Allen’s humor,” Elvis said. “To me, it was about as funny as a crutch.”

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Bone-us Tracks: 20 More Dog Songs Worth Checking Out
“Rockin’ Rollin’ Rover,” Bill Haley & the Comets
I Found My Best Friend in the Dog Pound,” Burl Ives
I Love My Dog,” Cat Stevens
Old Blue,” James Taylor
Hey Bulldog,” The Beatles
Me and You and a Dog Named Boo,” Lobo
Gonna Buy Me a Dog,” The Monkees
The Puppy Song,” Mary Hopkin
Dirty Ol’ Egg-Sucking Dog,” Johnny Cash
Evelyn, a Modified Dog,” Frank Zappa
Clyde,” J.J. Cale
 “I’ll Take the Dog,” Jean Shephard & Ray Pillow
J’ai Retrouvé Mon Chien,” France Gall
Fluffy,” Gloria Balsam
Three Legs,” Paul McCartney
Jet,” Paul McCartney & Wings
All Good Things,” Klaatu
Death of a Martian,” Red Hot Chili Peppers
Ol’ Red,” Blake Shelton
Who Let the Dogs Out,” Baha Men

The Genuine Canine Chorus
Back in 1955, a disgruntled recording engineer created a novelty sensation with The Singing Dogs.
Carl Weismann hated dogs. Or at least he hated their barking. An audio engineer for Danish State Radio in Copenhagen back in the ’50s, Weismann specialized in recording bird song. Finches, jays, swallows—he captured them all on tape. But whether he was in the field or a city park, there often seemed to be a dog around, waiting to ruin his recording.

An adept editor, Weismann snipped the offending mutts from his tapes using a pair of scissors (that’s how they did it back before computers). Eventually, Weismann had a pile of discarded dog voices. Rather than toss them, he decided to have some fun.

Pasting together barks of varying tones (then goosing them with a speed-control), he set them against simple musical tracks of five songs, including “Jingle Bells” and “Oh Susanna.” The resulting record, attributed to The Singing Dogs, sold 500,000 copies worldwide.

Fifteen years later, New York DJ Howard Smith rediscovered the record and played it as a gag. The phones lit up. Callers claimed their own dogs were singing along. The album became an even bigger hit. Now part of the yuletide canon, The Singing Dogs (reportedly led by two German Shepherds and a Poodle) are bona fide platinum-selling artists.

This article first appeared in The Bark, Issue 46, Jan/Feb 2008

Bill DeMain is a freelance writer and muscian based in Nashville, Tenn. He's contributed to Entertainment Weekly, TV Guide, MOJO and Eldr and is also one-half of the acclaimed pop due Swan Dive. His favorite song is "Me and My Arrow," by Harry Nilsson.

Photo courtesy of Henry Gross

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