Doris & Nellie

She said "Call me Doris," and my heart leapt with joy. How do you describe her voice? A smoothie cocktail with a southern inflection—warm, rounded and welcoming. I was dying to tell her about my Uncle Patrick, who entered adolescence listening to her records because he thought her purring voice was the sexiest sound on earth.
 
There was also the time I fled a screening of G.I. Jane to escape to a better place, courtesy of my Young Man with a Horn LP. Doris Day was always a refuge for me, transporting me to a time of innocent romance, when there were no bad hair days, men had good manners, and the music was pleasant and sweet.
 
These days, I have fewer illusions, but Doris Day continues to inspire me, because even  though the world can be ruthless and inhumane, we still have people like her working to help those less fortunate. Through her Animal League and Foundation, Doris Day is a beacon of hope for the animals who need our help so badly.
 
Talking to her was a dream come true—there's no one I admire more.
 —Nellie McKay, Recipient of the 2005 Doris Day Music Award

Cameron Woo: I must tell you that I’m quite a fan of yours. Some of the first films I recall are the movies you made with Gordon MacCrae…

Doris Day: Silvery Moon and Moonlight Bay—I loved doing those. You know, if life could be like it was in those movies, it would be beautiful, wouldn’t it?

Nellie McKay: Every time I hear one of your records or see one of your movies, the world becomes that way for me, if just for the length of the record or movie. It’s that transporting.

DD: Oh, what a compliment. I had the best costars you could ever have, and I miss them so much. We had such a great time working together. Some years ago, I made a special with John Denver and was asked to sing Memories, Barbra Streisand’s song, which she did so beautifully. Then I was told that huge pictures of all of my leading men would be shown as I sang, and I said, “Oh my God, how do you expect me to get though that?” But I did it.

NM: Your autobiography is incredible—you have such heart.

DD: Well, I’ve been through everything. I always said I was like those round-bottomed circus dolls—you know, those dolls you could push down and they’d come back up? I’ve always been like that. I’ve always said, “No matter what happens, if I get pushed down, I’m going to come right back up.”

CW: You’ve been such a success in an amazing range of careers, from singer to actress to animal activist. What moved you to begin speaking out for animals?

DD: You have to do things, you have to step out and stick up for animals, because they can’t do anything for themselves. And really, I’ve been led by God to everything I’ve done in my life. I’ve been put here and put there—out of Cincinnati and into a band, then to Hollywood, and now, the foundation and animal league.

CW: Can you talk a little bit about the Katrina rescue effort? I know your group was instrumental in one of the airlifts; I understand those animals went to Santa Cruz.

DD: Yes, right to Santa Cruz. Some were quite ill and couldn’t be put on the plane, so people drove to the Gulf Coast and brought the sick ones back by car. Both groups were accompanied by a veterinarian. They’re coming in every few days from Santa Cruz and whenever they’re brought in, I’m there. The hard part is that I want them all!