|Dog at Duck Trap, 1975|
Alex Katz, known for his bold, hard-edged figurative paintings and prints, is one of the most recognized and celebrated artists of his generation. In the late 1950s and early ’60s, Katz ushered in a new approach to portraiture, helping define the American Pop Art sensibility. In his work, Katz depicts family, friends and most often, his wife and muse, Ada, as well as the Maine landscape where he spends his summers. In one of his best-known works, he portrays Sunny, the Katz family dog, chest-high in coastal grasses. Katz’s art is noted for its cool detachment and seductive elegance—walking a tightrope between traditional figuration and pure abstraction. This spring (2012), the Museum of Fine Arts, Boston, presents Alex Katz Prints, a major retrospective of prints by Katz from the 1960s to the present. On view will be some 125 works—prints, unique and editioned cutouts on aluminum and illustrated books. Plus, Sunny.
The Alex Katz Prints exhibit is on view April 28–July 29, 2012 mfa.org
This article first appeared in The Bark,
Issue 69: Mar/Apr/May 2012
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