I think I’m the only writer in Los Angeles without a script to show around at dinner parties and AA meetings. But success in “the industry” has finally come to me. After living here for over a decade, I finally made my way into Hollywood’s inner circle. All thanks to my Beagle, who was just killed.
After being discovered on the street and cast as a female dog named Ruthy, my dog Jerry demonstrated his remarkable acting chops on the set of an upcoming film. No, he didn’t pull anyone from a well, or save someone from a burning house. But he did stand up—right on cue—while wearing yellow doggie pajamas. And, I might add, the director was most pleased with my coaching.
Which brings us to our second day of shooting. It was a night that would culminate with Ruthy’s (Jerry’s) death scene, and he was ready for action. On the drive out to the miniature golf facility, where the scene was to be shot, Jerry rehearsed playing dead in the back seat, though he sometimes broke character with a loud snore.
We arrive at midnight and he perks right up when the scent of toaster waffles from the set’s buffet table wafts into the car. We both head through the medieval castle arcade to find the crew. At first, we’re told that the director is ready for us, but then there is one of many delays on the set. So we head off to the putting greens, where Jerry burns off some of his nervousness by chasing a squirrel through the windmill and down past the candy house before ultimately losing the pursuit after it scampers into the clown’s head.
To kill some more time, Jerry and I rehearse. I had read the script beforehand, so I knew that Ruthy was to be hit by a car. We spend some time going over what I had taught him already. Jerry was to roll onto his side and simply put his head down for this trick. Even though he refused to stop breathing, he would lie still for a few seconds, looking like a miniature beached whale, before popping up to see if there were still some Rice Krispies treats left at the buffet.
Then we were called to the set. The night air was thick with movie magic. There was to be an establishing shot, in which one of the actors would hide in a wooden barrel with Ruthy. At some point, Jerry is supposed to pop his head out of the barrel and look cute. We hadn’t known about this scene beforehand, and I admit I was a bit worried. Sure, Jerry has proven that he’s got great range—what with the standing up on cue and all—but coming into a scene like this so unprepared would unsettle any performer.
The actor, who was wearing a pith helmet, climbed into the barrel and then I carefully lowered Jerry inside. Confused, he looked up at me, his floppy ears pinned anxiously against his head. In his six long years of life, clearly this was his first time squatting inside a barrel with a total stranger wearing a funny hat.
But when the director yelled “action,” Jerry’s inner thespian took over. The actor spoke a few lines of dialogue, which was my cue. Standing off-stage, I then called to Jerry, who popped his head up out of the barrel and stared right into the camera with a bleary-eyed expression normally found on pet-store puppies.
It was golden. The audience was going to eat it up, I thought. It was so perfect that they only asked for six more takes before, I supposed, we would be moving on to the death scene.
But then something curious and a bit sad happened. I was told that Ruthy’s demise would not take place as planned. It had been decided that there would be a shot of a car crashing into the barrel, followed by a close-up of Ruthy’s red leash lying amongst the wreckage. Her death was to be implied rather than shown for a greater emotional payoff.
No on-camera death? This was to be Jerry’s career-making scene—the very onset of his 15 minutes of fame (which, in dog years, equals an hour and 45 minutes, by the way). I wanted to call Jerry’s manager or his agent, but he had neither. I wanted to scream, “But this is when you’re supposed to kill Jerry!”
But it was futile. So we just grabbed some cookies and left. As we reached our car, I heard a screech of tires and a sudden crash. “Well, I guess you’re dead,” I whispered. Jerry just smiled—he does that.
During the drive back home through the blossoming Los Angeles morning, Jerry continued to dazzle me with his “death” pose in the back seat. It was brilliant, until he broke wind. But even without that fatal scene, my dog now has a résumé and I think he might be eligible for his SAG card.
The movie is due to be released in 2005. It’s called Think Tank. If Jerry’s scenes don’t end up on the cutting-room floor, then I highly recommend this movie. So please go and see it. And if Steven Spielberg is reading this, have your people call Jerry’s people (that’s me).